After a successful and very fun mainland tour last month we’re very excited to announce a UK tour for January 2018. The Deslondes will promoting their critically acclaimed new album Hurry Home on this tour which included an appearance at the Celtic Connections festival. Find all tourdates at the bottom of this news piece.
The Deslondes follow up their impressive debut album with the equally fine Hurry Home. Less country inclined than its predecessor the album finds the band roaming through a variety of styles – swampy southern roots, 50’s rockabilly, and classic rhythm & blues which, with several members of the band singing lead on various songs gives the album a truly dynamic feel.
Hurry Home represents a sonic shift from the country-folk of their debut to a psychedelic, electrified soul sound, with a stronger emphasis on organ and electric guitar. The band split up songwriting and lead vocal duties among its five members, Sam Doores, Riley Downing, Dan Cutler, John James Tourville and Cameron Snyder, continuing its democratic ethos and musical versatility.
The album that emerged is Hurry Home. “It’s a fitting title for this album because our lives and our songwriting revolve around leaving and returning, or searching for, home,” says the band. “And home can be a physical place, a relationship, or a state of mind.”
Elliott BROOD is a three-piece, folk-rock/alt-country band based in Hamilton, Ontario, Canada. Their brand of fuzzed-up roots music makes for a captivating and frenetic live performance. That energy has always translates to the band’s five acclaimed records. Their style has been called everything from ‘blackgrass’ to ‘death country,’ but those descriptions don’t capture the transcendent heights of their unique approach to roots music.
Fall 2017 will see the band release their sixth full-length studio album Ghost Gardens via Paper Bag Records. The album title alludes to a phenomenon whereby the perennial gardens of houses and buildings having been abandoned or forgotten for years or even decades, continue to grow and reappear year after year, despite their original caretakers’ absence.
The road to Ghost Gardens began with the rediscovery of lost demo songs from early in the band’s career, nearly a decade and a half ago. The misplaced hard drive had long been forgotten in a garage sitting dormant in an old suitcase. The rediscovered recordings were demos and rough sketches of song lyrics and melody ideas. On Ghost Gardens, Elliott BROOD get to relive their past through a lens that is wiser both musically and lyrically.
In 2013, Elliott BROOD won a Juno Award for their World War One inspired album Days Into Years. Over the course of their career they have been nominated for a total of five Juno awards. In 2009 they were shortlisted for the prestigious Polaris Music Prize and in 2012 the band found themselves nominated for a Genie Award for their original song “West End Sky” that was featured in the film Grown Up Movie Star.
Elliott BROOD are Mark Sasso, Casey Laforet and Stephen Pitkin.
To order tickets, please go to the Swiss Cottage Sessions page.
“Meditative, spectral dreamscapes … extraordinary voice: a fragile, sensuous instrument” – MOJO
“Lush, dreamy songwriting with a gilded edge… Deliciously moody.” – CLASH
“A pocket-sized book of lullabies, and gothic shanties, whose sounds and lyrics evoke a series of wondrous daydreams and sorrowful, mood-filled, late-night tales.” – Drowned in Sound
“Nadine Khouri has always had the ability to make quietness and subtlety sound huge and mean more than it possibly could… The overwhelming breathless cool of Nadine’s voice is something that you cannot go without hearing.” – The 405
“Stunning – sometimes the strongest words are softly spoken.” – Tasty Fanzine
“A gravely, female voice sings modern, alternative torch-songs and the atmosphere is so mesmerizing, so fascinating you wish this late night moment would last forever.” – Cracked Reviews
“Khouri’s effortlessly powerful voice curls around the music, which at times can go from a skeletal finger-picked guitar swooping up to loop-based experimentalism. The themes are of traveling and the love-loss casualties along the road, and the songwriting here tells of a spirit at home on the road to the perfect song.” – Rough Trade
Two of the UK’s most talked about emerging singer-songwriters on tour together, featuring sets from both artists as well as a collaboration. These shows are a chance to hear new songs along with favourites from both artists’ catalogues.
Head over to the Swiss Cottage Sessions page to book your tickets!
Dayton’s pedigree is not only impressive, but varied, to say the least. He played all of the lead guitar on Waylon Jennings record Right For The Time and on Ray Prices’ record Prisoner of Love. He’s also recorded with Willie Nelson, Johnny Cash, Johnny Bush and played live with Kris Kristofferson. Dayton played the lead parts alongside his personal hero Glen Campbell, right after Campbell was diagnosed with Alzheimer’s. His exploits are not solely within the country genre either, Dayton has jokingly declared onstage, “The Clash & X saved me from going to Foghat concerts!” So it’s not surprising that he ended up playing guitar on the Supersuckers biggest selling record Must’ve Been High, which frontman Eddie Spaghetti admits was directly influenced by Dayton himself. Dayton ended up producing and playing all of the guitars on Eddie’s solo record, The Value of Nothing and also appears on the new Supersuckers record Get The Hell. After touring with Mike Ness from Social Distortion, then playing with punk icon John Doe from the band X, (the two appeared on David Letterman), Dayton got the call to play guitar for X on the bands entire North American Tour, filling in for Billy Zoom while he was in cancer treatment.
The Barr Brothers are out of the studio and back on the road!
The Barr Brothers
“We have a new record coming out in September.
Yes, the first album by The Dream Syndicate since we released “Ghost Stories” back in 1988. It will be released on ANTI, one of the cooler labels out there.
What can we tell you about the new record?
Well, let’s see. It’s true to our history, a bounty of gifts for everyone who’s been there since the old days and yet unlike anything we ever did before. It’s a post-millennial existential screed that feels like RIGHT NOW and at the same time a timeless joyous thrill ride. It’s psychedelic, it’s rocking, it’s garage, it’s classic, it’s indie and it’s even a soul and jazz record in the most literal sense, a sonic and emotional journey to the deepest recesses of your mind. It’s what we do on stage and yet it’s brand new. Most of all, we dig it. A lot.”
NME claimed that “Peter Bruntnell’s records should be taught in schools”, and if you ask the likes of Rumer, Peter Buck, Scott Mccaughey, Willy Vlautin, Jay Farrar, John Murry or Kathleen Edwards, they’ll all agree that Peter Bruntnell is a writer with rare and mysterious qualities. It’s interesting that American musicians are so seduced by such a uniquely British artist, and Peter has toured extensively with Son Volt, Kathleen Edwards and Richmond Fontaine.
Peter’s restless musical spirit has seen him strike out in new direction with almost every subsequent album. Four albums for Loose continued to win him admirers – by 2005, The Independent were calling him “one of the finest songwriters in Britain” and Richmond Fontaine’s front man Willy Vlautin called him his favourite singer – and 2016’s Nos Da Comrade has won plaudits worldwide.
This show is an acoustic trio featuring the legendary pedal steel player BJ Cole.
We had a cluster of shows to kick off 2017 and they’ve been amazing. The Mastersons (2 shows, sold out), Karl Blau (a superb evening and a good crowd) and Chuck Prophet (words about the brilliance of this fail me). Then we had a birthday extravaganza with Ben Folke-Thomas and a humdinger with Hurray For The Riff Raff, before taking quite a lengthy break from Railway shows. Both Lewis and Leigh and Jonny Fritz sold out the Swiss Cottage. Now we are working away on the sc4m Festival for September 10. It’s never easy, but we are getting there!
Oliver Gray’s day job is writing school text books and non-fiction items, but his hobby is promoting live shows by visiting roots artists from the US and Canada. When contemplating his first foray into fiction, he was advised to “write about what you know about”. It’s therefore no surprise that “Zander” is set in the world of small-time music promotion.
When American roots musician Corey Zander sets out on his first UK tour, things start badly and rapidly get worse. Not even his drug-strewn rock and roll past could prepare him for the violence of his reception in provincial England.
We hope you will enjoy it.
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